Tuesday, March 29, 2005

Why Write, or, Why I Write by Jean Madigan

WHY WRITE, OR, WHY I WRITE
I thought about writing how confused and depressed I am, but a lot of other thoughts came into my head and jumbled my decision on what to write.

JOURNAL ENTRY 3/24/05

"Why am I depressed? Why do I envy others their success? Because I feel that there's not enough left for me. Several authors have said we're supposed to write because we have a story to tell and not for money, but if we get the money, that's gravy.

Why do I write? Because there’s some burning desire within me to tell the world about something that’s important to me. It might only affect one other person, but if it helps that person, my mission has been accomplished. When I DON’T write, I feel like something is missing in my soul. Throughout the years, I gave up too quickly when rejections piled up and no one was around to answer my questions. For the past two years, I’ve hung in there, trying not to give up, because if I persevere, I will write to the best of my ability.

Do I feel that someone is against me because I'm not selling stories? Who would I sell them to, with my endings? It’s not really THAT important that I sell them. I just want to get the process right and then go to town and write my heart out.

I truly AM grateful to Donna for telling me to tighten plot, omit adjectives and adverbs, not tell, but show, etc. It's painful though, to know that I've been on the wrong track all these years, to know why my stories haven't sold. I guess it's a process, just like being a Christian is a process. It’s not something you stumble upon and then it's accomplished. I'm just disappointed no one pointed these things out to me before, but this is no time for self-pity or crying over spilled milk, it's time for action, time for change."

Whatever success I have is due to the Holy Spirit within me. He is responsible for the quality of my writing, and I am responsible for the quantity. I ask for Him to make things clear to me and he does, when I listen.

© Jean Madigan, March, 2005, all rights reserved

Jean M. Madigan is a writer living with her husband in Phoenix, Arizona and has stories published at the following sites: http://www.sistersinthelord.org,/
http://www.penwomanship.com%20/
http://www.anthologiesonline.com/
http://www.whowon.com/. Nonfiction
Madigan is also the Women In History columnist for penwomanship.com http://www.worthfinding.com/ry
columnist for penwomanship.com
Links can be found at her website:
http:jean.handsforhope.com

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Tuesday, March 22, 2005

The Comadrazgo of Queen Power

I’ve been playing on the Queen Power Forum, reading about other women and how they turn their attention to their own interests even in the bustle of families and jobs. There is Clarissa who has been an at-home mom for five children, and whose beloved volunteer assignment turned sour. She first applied at other agencies, then conceived a dream of a personal business that would use her skills and interests—and the Traveling Tea Lady was born. Lauralulu had one job her entire adult life. When her company announced it was closing, she searched her heart and turned down a sure bet doing the same thing, even though her husband was dealing with a serious illness. Within weeks she had a new job in a completely different field. All she has to do is decide if this is the job for her. Jaw Jaw worked and raised two children, and helped care for her father during his last illness. Then she wrote her first article, one about her father, and two years later she is still writing and on the cusp of a new career as America’s funniest humor writer. QueenMe, who made sensible decisions concerning her education and career, recognized the familiar, safe path was closing her heart. She chose instead to search for a new way, a better way, her way…and has invited us to join her. Woman after woman, queen after queen, has come forward to say, “This is how I honor my talents, my interests, my dreams.”

Judith Ortiz Cofer in her article “The Woman Who Slept with One Eye Open” speaks of her life honoring her choices: the traditional ones women make, and her own decision to be a writer as well. She talks of two women from her family’s folk stories who were germane to her development as a creative artist and as a free person. One was Maria Sabida. She outsmarted a murderous thief who sedated his brides with tainted figs and killed them; she first won his heart and then married him—though she always slept thereafter with one eye open. The other woman, Maria La Loca, was jilted at the altar. Driven crazy by unrequited love, she wandered her village, mourning and alone.

Cofer says from Maria Sabida she learned to claim macho—“the arrogance to assume that you belong where you choose to stand, that you are inferior to no one, and that you will defend your domain at whatever cost.” To be a woman and a mother and to realize one’s personal dreams requires a woman to have macho, or else, like Maria La Loca, to live as if you have been abandoned, mad with love lost.

John Dufresne in The Lie That Tells a Truth echoes Cofer’s evocation to stand up for your dreams; in his case, writing. “Well, the plain truth is that if you want to write, you can,” he says. “And if you want to write but you don’t write, you’re inviting madness...Wanting to write means, of course, that you’re not writing. And wanting to write but not writing will lead to frustration, guilt, and regret. And regret eats the soul. Writing, on the other hand, leads to discovery, insight, and accomplishment. The fact is, it’s easier to write than it is to want to write. Just pick up your pen, put down a word. Any word.”But Dufresne warns there is a price to be paid for your dream—“You have to pay for the privilege of writing with your time. But that’s not so hard. You only have to want to write as much as you want to watch TV or go to the movies. You manage to get those done. You can probably mange all three. You pay with your time, your patience, your persistence. And one more thing. You have to be willing to fail, to see you aren’t half so clever as you thought you were. (But then humility is the first step on the road to wisdom.)”

Dufresne goes on to warn that the people in your world might present as much resistance to the writing life as your critical self. If you’re writing (or trying to put any dream in place) you aren’t accomplishing all of the tasks necessary for a smooth and uncomplicated existence. If fact, it may appear you are not accomplishing anything at all. He says to tell your loved ones, “you are not going to be good, that you’re not going to do what you’re supposed to do…Tell them you’ll get the house painted, mop the dust bunnies under the bed, you’ll pay the gas bill but not right now. Tell them you love them, and you’ll see them again just as soon as you find the verb that will make this sentence sing.”

Cofer takes the discussion of resistance a step further. The murderous/thief/husband is a metaphor for “the destroyer of ambition, drive, and talent. It does not have to be a man. It is anything or anyone who keeps the artist from her work. To marry the killer means…that the artist has wedded the negative forces in her life that would keep her from fulfilling her mission and, furthermore, that she has made the negative forces work for her instead of against her.” Still, this artist must watch what she eats, avoid the dreamy fruit which will render her unconscious, and sleep with one eye open in order to protect her creative life, the dream which is hers alone.

In my own life, I have been the one who exhorts myself to be good…to leave the writing desk and look toward others to see if I’m worthy or not. I reach for the fruit which will put me to sleep, and even when my eyes are open, I fail to see what’s blocking my own path.

But I’ve listened to Cofer and Dufresne, the queens of the forum, and anyone who has a clue about the next step in any dream. This week I bought notebook paper, dividers, first a pad-sized appointment calendar, then a larger, notebook-sized one, sticky notes, and a timer—all designed to help me claim my life. I’ve gone through this drill before, only to be distracted by household projects, family members in need, and my own inattention to details.

As I set out on my journey one more time, Judith Ortiz Cofer has more advice for me. She says, “In Catholic cultures two women otherwise unrelated can enter in to a sacred bond, usually for the sake of a child, called the comadrazgo. One woman swears to stand in for the other as a surrogate mother if the need arises. It is a sacrament that joins them, more sacred than friendship, more binding than blood.” The women are comadres. The relationship, a shared parenting, is the comadrazgo.

Everywhere I seek my comadres to help me protect my dream this time, to mother my writing self, the self I’ve never quite learned to nourish alone. Professional writers such Cofer and Dufresne teach me about macho—the notion I have a right to the time to use my talents and to share them. I ask my friends to take their stand by my side, to remind me to take the next step and the next step. I ask my children and my husband, without whom I would have little worth writing about, for their love and support. And I turn to the Queens Forum. Here are my comadres. Here are the women with different goals, but the same dreams. It is your stories which give me stamina and resolve. It is your path which teaches me to make a map of my own. It is here we gather to give testament to a life made richer when we claim our talents and live our dreams.

© Donna Warner, March, 2005all rights reserved

John Dufresne, The Lie That Tells a Truth, A Guide to Writing Fiction, W. W. Norton and Company, 2003.

Judith Ortiz Cofer, "The Woman Who Slept with One Eye Open," Sleeping with One Eye Open, Women Writers and the Art of Survival, Edited by Marilyn Kallet and Judith Ortiz Cofer, The University of Georgia Press, 1999.

If you have stories to tell about your dreams…achieving them or those resistances which need to be examined, please share them with Queens Write about Writing. Your experience has messages for us all. Please send your observations to donna@queenpower.com

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Wednesday, March 16, 2005

Deferred Dreams by Rhonda J. Foster

Recent topics in the QueenMe newsletter have inspired me to tell my own story. I graduated college with a 4.0 GPA, class valedictorian, and a BA in English. All I had ever wanted to do was write, and I was certain I would have no trouble finding the job of my dreams. It seems that when we are younger we tend to believe that anything is possible, and as we get older, life has tainted that optimism to a dull practicality. I encountered questions such as: “What! No computer courses? No business management classes?” My job search was not successful and I had to come up with a survival plan.

I sent out an application to law school, just one – and I was accepted. I had no burning dreams of becoming a terror in the courtroom, of helping to change the world. My dreams were of an easy and substantial income that would enable me to write. Law school kept me focused for the next few years, and then came graduation – time to get serious again. I dutifully worked on my resume and sent it out. No big offers. Then I discovered there was an opening in the public defender’s office in a nearby town. At the job interview, I told the chief public defender that I didn’t think I could handle “criminals.” Not to worry – I could represent the children, the abused, neglected, and eventually, the delinquents.

Representing children meant dealing with the parents, and most of these parents were not happy, well adjusted people. A great number of them had severe mental disorders and were off medication, or had criminal histories themselves. They tended to be aggressive, vicious, and blaming the system and the attorneys for everything that was wrong. I was shy, non-assertive, and sensitive. I was prey. The probation officers would line up in the hallway of the courthouse to watch me deal with these clients, amused at the terror and discomfort evident on my face.

I gave my best and did an excellent job. I took my work home and lost sleep finding solutions for my clients, only to see them back in court again and again. Nothing I did seemed to make a difference. For those who don’t think stereotypes apply, they do. A client could be argumentative and difficult with me, and if one of the male public defenders (there was one in particular who was built like a linebacker) walked over, suddenly they would accept whatever that attorney told them. I realized that as a petite female I would never receive the same respect that less-competent-but-larger-built male attorneys received in this setting.

I began to be sick to my stomach at the thought of going to work and facing people. It would begin the evening before my court dates. I would dread getting up and going in to work. I hated my job, but I had no energy to make the effort to escape. I came home at night and collapsed on the couch, staring at the television. There was no writing, no creativity, only a sense of emptiness and being drained. I never went out on weekends until I left for work again Monday morning. I was totally exhausted, and it was all I could do to keep going – but I had to. I would not quit. I had something to prove.

Eventually my emotions had completely shut down. I had no dreams, no desires. I did not think about what I wanted or needed; only what I had to do to survive. I did not live anymore. I survived. I didn’t do anything for fun. I didn’t know what constituted “fun” anymore. I held out for over ten years. I showed the world I could do it! The tragedy is that the world did not care, and the world did not have to face my life each day – I did. Eventually I left for a non-law job that was completely unsuitable for me. I think it was a desperate subconscious survival move.

It was too late to just keep going in this condition. I lasted at this job for a year, where I was treated with suspicion – why would an attorney take such a huge cut in pay and prestige? Their attitude was that there had to be something wrong with me, some scandal. Needless to say, I began to have problems with balance and coordination, frequent illnesses resembling the flu, pains that would shift from one part of my body to another. I was unable to leave the house or to walk normally. I spent most of my days on the couch, moaning in pain, exhausted. Even sleep granted me no peace. I had nightmares about work and about people in my life who had hurt me, even those from years before.

After numerous medical tests and months of waiting, it turned out I had fibromyalgia. It seems that this is common among women who are driven to “do the right thing,” to “do the responsible thing,” to “do what is expected,” rather than doing what is in their hearts. The body forced me to do what my mind had not – to take time off, to rediscover myself, to grieve for all those things that I had never taken the time to grieve for. I was afraid to mourn my losses and feared that I would never stop crying if I allowed myself to grieve.

Before this diagnosis, I got out my second expired passport and dwelt on the fact that I had never traveled to Europe as I had wanted to do for over twenty years. I thought about my closet filled with boxes of the “nice things” I was saving for “someday.” I got out the silky soft pajamas a friend had bought me in the 80’s that I was saving for a “special occasion.” I threw them out because the elastic had rotted. I cried because I believed I had some serious disease and the thought chanting in my head repeatedly was: “I will die and I have never lived.” In essence I had put my life, my happiness, and my dreams “on hold” waiting for the perfect time to enjoy them. And now I know that the perfect time is right now, not someday. You might not have someday, but you do have right now.

It took a year. I sat outside with my journal almost every day. It took months for the pressured feeling that I had to be somewhere, or that I had some obligation to fulfill, to pass. I even mourned for pets I had lost in my youth, letting a little bit of pain at a time out. I released years of pent-up emotion in tolerable doses. There were times I had to cut it off, to go to a movie and forget. I would sit and try to write down my dreams. The tragedy was that I had none. I had given up dreaming years before. It took months, but eventually I could write sentences that began with “I want” or “I hope.” It was safe to have feelings again. I found that I slowly became warmer, more affectionate, more caring, as the “thaw” continued. People responded to me again. My journal was more genuine. It spoke of emotions -- it represented a real person.

Initially, it was easier to discover what I didn’t want. I made lists of all the things I didn’t want to do. They seemed to flow out of me, out of the bitterness at all the obligations I had imposed on myself. I was angry at others for making me feel so obligated, but the more I processed things, the more I realized I had let it happen. I took responsibility for burying me under the “should-do” landslide. I gradually rediscovered my love for tea – the intricate ritual of preparing, breathing in the scented steam, slowly sipping. I burned incense and it was relaxing. I performed little activities that took time but gave me peaceful sensations, things that I had not taken the time to do in over ten years.

I began to read before bed, something else I had always enjoyed. I would read a little, look up at the clock and think that I had to stop because it was getting late. One evening I realized “Hey! I don’t have to be anywhere tomorrow – I can stay up all night if I want to!” I stayed up that night until 2 in the morning and finished the novel. It was wonderful.

I sat in the sunlight and daydreamed, listening to the birds and the breeze in the trees. I lost track of the passage of time, and allowed my soul to emerge. My writing took on a stream of consciousness mode, and upon later reading it was enlightening and uplifting. After months it subtly changed from remorse and grieving to hoping, from weariness and trepidation to wanting to embrace life.

PART II

So here I am, ready to face life again. I still have my fibromyalgia, but by controlling stress it is bearable. I see clearly the link between physical pain and suppressed emotions. (There are some wonderful books on this subject by John E. Sarno, M.D.) I have allowed myself the time and space to heal. I can now tell anyone who asks what I like and dislike. I am actually more assertive and genuine than I was when I worked as a public defender. I am writing again. I feel enthusiastic and hopeful. But there is a pitfall. I decided to follow my heart, but sticking to the decision is not always an easy one. I am often tempted to get a job which will provide the comforts of life, but which once again might leave me emotionally drained at the end of the day and unable to write. Even Stephen King didn’t start off making millions, and supporting yourself writing is a long process, with a lot of hard work involved.

So once you decide to follow your heart, you must have the courage to stay with that decision even when tempted to return to the old ways of survival – and they often seem to be easier. I face temptation all the time, but then I realize… I really like ME, and I don’t want that funny, warm, affectionate woman to go away again.

You can spend all kinds of time wondering how you got to the place of bitterness and regret, lost chances and deferred dreams, but my suggestion is to bypass this stage entirely. It doesn’t matter why, and you can’t do it over. It comes down to now. A very simple concept: change. Make a change, any change. Don’t you feel a little more alive after you do? It becomes addicting – suddenly making changes is fun, challenging, and a sign of life. I began cleaning out old clothes and was appalled to discover things I hadn’t worn in 12 years. I felt so refreshed donating huge hefty bags of things that I had clung to and not used.

The process is ongoing. I’m not done by any means. But maybe you will see a little of yourself here and learn from my experiences. I will get a job one of these days to provide stimulation and a little extra income. On my resume, where it says “OBJECTIVE” I am tempted to put, “An interesting job with fun or positive people that won’t leave me emotionally drained.” Go figure.

© March, 2005 Rhonda J. Foster

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Wednesday, March 09, 2005

Swearing In

“Do you promise to tell the truth, the whole truth, and nothing but the truth?”
“And so much more.”
Velma Kelly to the Officer of the Court: Chicago

I have a problem I’ve lived with all of my life. I don’t feel legitimate. I’m not talking about my birth circumstance, but the backdrop of my life. Some times are worse than others, but often I feel like a dog scrounging for the bones of affection and approval. Who knows the cause? Some say nature, some say nurture, some say a mixture of both. The spiritual pilgrims among us say it’s the god shaped hole in my psyche. Its origins don’t matter to me. What matters is, no matter what my good intentions are, I constantly stumble over other people’s opinions.

What matters is I have lived parallel lives. In one, the one you would see if you met me, I have been the dutiful: daughter, wife, mother, friend. I have been steadfast. I have faced gales and landslides, the first one at the barricade, the last one off the ship. I have been good in emergencies and hostage-of-life situations.

People say I am a good cook, but perhaps that’s because I do actually cook. I am recipe-impaired and do not know if I can follow instructions. Sometimes my husband asks if a certain dish has come to me by vision. He is not expressing gratitude. I have never been a citizen in the land of cooking…all of my successes are those of a beginner desperately seizing what’s at hand. And if someone else does not care for the results, suddenly neither do I.

I have not been good at term papers, housekeeping, yard work, and long term maintenance problems. Here I am sloppy, easily distracted, and quick to surrender.

This is the life you would see, the one I’ve lived as if I were trapped behind a bubble of clear acrylic, muffled and anxious, and often numb.

Then there is my other life…my unlived life. In this life I’ve known I wanted to be a writer since I was eight-years-old, but bewildered by my acrylic bubbled existence, I not only did not know the writing rules, I didn’t know what to write. It seemed to me everyone else was in on a secret I could not fathom.In this unlived life, this life of unrealized dreams, I’ve had flashes of awakenings.

I took up photography once. Like cooking, I could not comprehend the basic elements. For a while it seemed as if everything I saw was The Picture. I quit when I realized the camera was always between me and what was happening, and I wasn’t making progress with fstops and shutter speeds. Two years later, my husband created a website, honing in on the bizarre customs of the area where we’ve lived most of our lives. He called it Euclid, after a town in my unfinished novel. He looted my pictures. “You have the Euclid eye,” he said. I smiled, and felt I had missed some undefined opportunity.

I briefly took up clay, but when I discovered myself not setting, but making platters on the dining room table, and was still as lousy at vacuuming as I ever was, I decided I might be a trifle insane. Anyway, clay and I had not become one. It held its secrets and I could not quite decipher even its most basic nature. I was depleting clay deposits of the earth, and making dust-catchers Chinese factory workers could make better. Last month at a local discount store, I ran into an artist I admire, a potter with an essential eye. “Did you ever go back to potting?” she asked. She mentioned one of my pieces hanging on her mother’s wall. I said I didn’t have time, and I didn’t feel I was very accomplished at it. “I thought you really captured the expressiveness of clay,” she said, whatever that meant. “It’s a shame you didn’t keep it up.” Under the florescent lights I looked back at a path I had left, to glimpse something I’d lost I would never return to claim.

Though I wanted to write, always, but also figured I didn’t know enough to write, it was easier to pick up something else which would garner me someone else’s approval. Either that, or lie down with a good book. But I returned to writing over and over again.

At thirty-one, I took my first ‘writing class.’ “Why do you want to write,” was our first essay. Why do I want to write? Why do I want to breathe? I got slightly tipsy and let her rip. When I read my claim aloud in class, by the time I got near my closing line, borrowed from Bob Dylan, “Whoo-we, are we gonna fly…” my fellow students were drumming on their desks, and the teacher’s eye had a proprietary gleam….he had a star.

What he hadn’t anticipated was my penchant for getting stuck and falling down. Over the years I’ve spent less time falling down, because I’ve spent so much more time stuck…didn’t I mention that novel about Euclid? And my husband would ask when I was going to: weed my one flower bed, sweep the floor, clean the bathroom. This friend would need a little helping hand, or one of the children would have a small dire need. Throw in three parents (his and mine) with terminal illnesses. And the fact I did not know what I was doing when I was trying to fashion a novel, had no guarantee it would be good in the end, and was probably, no, most certainly was wasting my time…STOP.

Go piddle.

Along the way I participated in a few writing groups. And took writing courses, where, always (visualize the coy smile, the slight nod of the head, so ingratiating) I was the star. Not hard to do after twenty years of being a beginner.

Then Allyn Evans came along with her Queen Power book. On the recommendation of one of my writing teachers, she asked if I might help her edit it. Might I? What a plum. Good material, a gracious client, and a goal not my own. What better reason not to dust today?

My every-day friend took to parting with, “Get busy. Go write.” She was ready for me to be done already, and back into our regular schedule. Every time she encouraged me, I heard admonishment. I would feel bile rise in my stomach. I got the sudden urge to fall asleep. “Tell me to have fun,” I said. She did. Each time I heard, “Have fun,” I was surprised. And happy. “Yes,” I would say, hurrying off so the fun could start.

My husband gave me space, and started vacuuming his own room again. This was not our agreed upon arrangement. “Next week,” I would promise him. “This will be over soon.” I felt as if I were running a marathon, sprinting toward the finish line, praying to finish before his patience ended in an explosion of my guilt, the kind of explosion he never requires. Before my what-the-heck-are-you-doing-this-time switch flipped, and I came to my customary screeching halt.Finish I did. Fun it was.

Did I forget to mention this? Toward the end of the editing process, I called an English professor for some copyright advice. “What are you writing?” she said. “I’ve had your essay on my desk for nearly three years. Some people write well. Some people write to be entertaining. Your writing is life changing. It’s not yours to keep. Send it out.”

I had been instructed. I finished the editing, and once again could turn to my own writing.

Did I?

Uh-uh.

Not only that, it took me nearly two weeks to wash all the clothes I’d ignored during my joyfully chosen marathon. And there are still some areas of the house it’s best not to let venture without security by your side.Back to piddling…doing nothing wholly, nothing really getting done.

Then Allyn and I began pitching ideas about my next step. Critiquing, writing, a couple of Queen projects. Meanwhile, a friend flew home to check on her dad. I give her a rides to and from the big city airport—a 250 mile round trip, one we use to catch up on each other’s lives. On the way to fetch her, I remembered I hadn’t taken my blood pressure medication. Could this be terminal? No. But I thought about fatality, about all my small accouterments of skill and interest dissipating, dissolving like a wave into the sea.

On the way to her father’s house, my friend wanted to know about my work with Allyn. She mentioned my years of study, of my intense interest in writing.

Suddenly I knew what I have, what I have been given, I want to pass on, from mind to mind, from hand to hand. When I leave this world, I want to be clutching nothing. I want to die with my heart emptied, all my treasures fallen like seeds on the earth that nourished me.

I returned home, eager to work with Allyn, eager to follow the path of my own words.

As soon I checked the e-mail, went to lunch with a friend, dusted, made spinach lasagna, told my husband.

Told my husband?Why is this hard? He has always agreed for me to do what I choose to do…he would like not to go to work and do all the housework, too, but rarely complains if the bathtub has a film along the water edges.

When I finished the editing marathon, I emerged as if I were newly hatched to this world…tenuous, shaky, curious, glad.

I took the dogs out for a walk. The world seemed as new as I did. Trees hinted of furled leaves. Sparrows and sky formed kaleidoscopic patterns, complete with a fluting symphony. The new tips of branches shot outward from limbs as slivers of light. And what words can describe jonquils and narcissus on a sunny February day, the yellow and white almost an explosion among the dancing petals? If you do not remember, run quickly now out of doors. See what ever is growing or has grown, all the light and energy alive and pulsating, singing to you, singing with you.

Back now?

On this particular day in February I met my every-day friend. “I’m done,” I said. I almost sang it with the release of this wild spring day at the end of winter.

“Guess what I’ve been doing?” she said.

My brain was trying to fathom being alive, how in all that excitement to put one foot in front of the other. I knew her name and my name, but more than that was beyond my grasp.“Tell me,” I said.

“You haven’t been paying attention to anything I say,” she said.

I tumbled out of the ecstatic air, slammed against the term paper wall. Shamed.Trying to remember my lessons, ask for what I needed, not to automatically assume the mantle of guilt, I said, “I just finished the book. I can’t think. Tell me.”

“No,” she answered. “You’ll have to remember on your own.”

As she walked down the street, I was eight years old, just returned from riding the wind in Never Land, and found all the clothes my mother had dumped from my messy drawers out onto the floor for me to fold, edges neat.

My every-day friend is a good friend. She later said she was teasing. She later said she didn’t mean for me to be sad. She said she had missed me.

“I’ve finished,” I told my husband.

“I guess this is another of those things you’ve thrown yourself into that’ll never lead to anything," he said.

“It’s good,” I said. “I learned so much from doing it. I think other people will get a lot from reading it.” I stumbled over all the good things that had already occurred. And I was going to clean the house the next day. Then I realized…. “You mean money…..?” I was talking to the man who told me not to go back to work after my father died, to stay home…well, and put in a few hours a week cleaning the house. I was talking to the man I am sure has been my companion for eons, time immeasurable, who agreed at some moment when existence began to help me learn what I need to know.I was talking to the man four years away from early retirement, who felt he is living a prison sentence.

“Yes,” he said.

So how can I tell him…I am taking on this project, and this project, and this project? Writing never guarantees your next insurance payment. It’s always the crazy leap without the net. On the other hand, a clean toilet is a sure bet.

Soon after my daughter came over for a visit. She told us of a disagreement she had recently. “I hate feeling this way. I feel like a bad person. On one hand, I’m okay with the resolution, on the other I want revenge.”

“Those are just thoughts,” my husband said. “When you bring them to light, they aren’t really scary at all. They just go away. It’s when you try to hide them they become viscous, foul you up.”

“When I tell you these terrible things,” she said, “the next day they do seem to have gone away.”

“Think of thoughts as shadows,” he said.

Already I could see all my little secrets, black forms with no details, lurking in dark corners and darting behind pillars in my mind. Usually my husband stops with one statement, but this time he continued . He was telling me what I needed to hear. I knew he was telling a profound truth, and I could sense the well spring of great joy.

“When shadows are brought into the sunlight, they simply disappear.”

“Holy Spirit,” I said. This is the name we call when we recognize a truth unfolding from a friend, a mechanic, a bum on the street, a husband. I was laughing. “Aren’t we orating tonight!” The words clunked as I said them.

Later we played with the dogs before we went to bed. He asked me why I had told him to shut up.

I didn’t understand.

“When I was talking about thoughts coming to light,” he said. “You said I was orating. It’s the same thing.”

I started crying, unexpectedly, unstoppably.Of course there is more here. More ‘he said,’ ‘I said,’ but I knew enough to know I was crying because in some way I had hurt myself. And I knew what it was. I wanted to do new things. Take on projects which just interested me, which would not buy him one day out of work. I wanted to leap off the cliff yet again. Was I silly? Wasting my time? Selfish?

I couldn’t tell him because I couldn’t believe in myself. I couldn’t risk he would not only not believe in me…he would think I should do something a trifle less insane.

Years ago I would have thought my pain was his fault. That somehow what he thought was toxic to me, was denying me my gifts.

Today I know if I am allowing some part of my life to wither, I am the one who has made the choice.If I take up my pen and paper…or rather, my computer…if I choose to come to the edge of the cliff, breathe deep, plunge…

What will happen? Will I wake up? Will I call to my unlived life to wildly bloom like the jonquils in winter? Will I squander my time, be a fool? I know this. I couldn’t be worse at cleaning house.

So I am trying it one more time. I will write an essay, create a pamphlet, and clean a toilet. I will look at what it takes to follow a dream. Really follow a dream. I will be a citizen of my own country. I may squander my life, but I will not waste it.

I will share my path with you. I ask you to share yours with me. Tell me what you know. Tell me the dangers, and what eases the way.

And before I die, if I don’t ever feel legitimate, it won’t be because I never took up my own life. It won’t be because I never really lived.

Camellia

2005 by Donna Warner
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